quinta-feira, 14 de abril de 2016

International Conference “Europe and the Colonial Empires of the Sixteenth, Seventeenth and Eighteenth centuries in Literature and Film”

International Conference “Europe and the Colonial Empires of the Sixteenth, Seventeenth and Eighteenth centuries in Literature and Film”
Faculdade de Ciências Humanas e Sociais – Universidade do Algarve
Gambelas Campus – 20 and 21 October 2016

Literature and Film have been working as true time machines. The reappearance of the historical or historically themed novel and the continued popularity of the historical film are evidence of the reader’s and the filmic audience’s interest in these genres, as well as of the huge inspiration that authors and directors find in the historical past.
The dialogue between Literature and Film has been fruitful in recent years, in the field of inter-Arts Studies. The mutual influence regarding the themes and narrative strategies have led to a growing interest for Literature and Film studies in Academia.
In this sense, the Organising Commission of this Conference, constituted by members of FCHS-UAlg, CLEPUL-FLUG and CIAC-UAlg, proposes a debate of scientific nature for specialists and whomever might be interested, to take place in the Faculadade de Ciências Humanas e Sociais of the Universidade do Algarve, Gambelas Campus, in 20 and 21 October 2016.
There will be considered works dealing with the following thematic areas:
1. Literature and Film
1.1. Theory and interdisciplinary dialogue.
2. Historical novel
2.1. The “New Historical Novel” of the twentieth century: problematics, themes and narrative strategies;
2.2. The representation of the historical character and event in the “New Historical Novel”;
2.3. The sixteenth, seventeenth and eighteenth centuries in the “New Historical Novel”.
3. Historical Film
3.1. The historical film and the biopic: the representation of historical periods, episodes or historical characters on film;
3.2. Authors and directors: adaptations of the historical novel to cinema;
3.3. Cinema as a discourse about the past and the director as an historian;
3.3. The representation of colonial empires in film;
3.4. Cinema as a didactic tool in the teaching of History.

Working languages: Portuguese, English, Spanish and French.
Those interested in participating in this conference are to send their communication proposals—title, abstract and Curriculum Vitae—until 30 June 2016 in accordance to the norms of the Organisation. The proposals will be anonymously scrutinised by the Scientific Commission of the Conference, being the candidates subsequently informed of the final decision of acceptance or non-acceptance.
Send the communication proposals to: congressoliteraturacinema@gmail.com with the following:
1)      Title + name of the candidate + academic institution;
2)      Abstract between 300 and 350 words;
3)      Curriculum Vitae shortened (up to 15 lines).
Expected duration of the communications: 15 minutes
Participants with communication: 60 euros
Participants without communication: 40 euros
Members of the Centros de Investigação (Research Centres) organising the conference: 25 euros
Students of the Universidade do Algarve: free of payment
The payment will be made by bank transfer:
National Citizens: Caixa Geral de Depósitos IBAN PT50 0035 0199 0000 4066 1309 0
International Citizens: Caixa Geral de Depósitos BIC SWIFT CGDIPTPL IBAN PT50 0035 0199 0000 4066 1309 0

After the payment by bank transfer, save the transfer receipt and send it by email to congressoliteraturacinema@gmail.com.
Note: 1) the bank fees are the participants’ responsibility; 2) to demand a receipt send, imperatively, the following information: full name, copy of the citizen card/social security card or passport; complete address.

The organisation intends the publication of the corresponding Conference Proceedings with the communications approved by the Scientific Commission.

Publication Norms:
1)      In the beginning of the original text, in bold, centred, font size 12, Times New Roman, line spacing of 1,5, will be the following data: title of the article, name of the author and full designation of the academic or scientific institution to which the author is bound.
2)      The size of the original text cannot not surpass 12 pages, A4, line spacing of 1,5, including five keywords, an initial abstract, maximum 10 lines, and the bibliography.
3)      The redaction of the original text shall be redacted in Microsoft Word, in Times New Roman, font size 12, being each page 34 lines long, in 1,5 line spacing, with special indentation 1 cm. in the first line. Paragraphs with only one sentence are to be avoided.
4)      The identification of sources, of books, periodical publications, and signed articles, dated, from the Web will be immediately referenced after each quotation, in parenthesis, indicating the last name, publication year: page or pages, for instance: (Gago, 1990, 55).
5)      The in-text quotations are to be presented within quotation marks, not italic, being the latter only used to highlight words or locutions. The direct quotations (with transcription) that do not exceed three lines will appear within quotation marks (« ») introduced in the body text. The remaining shall appear separate from the body text in smaller font size (Times New Roman, font size 11).
6)      The end of page references shall be presented, numbered, following the traditional style, in the end of the page.
7)      The bibliographic references shall appear in the end of the article. They will have to be in alphabetical order by the last names of the authors and chronologically. They will assume the following style: Book: LAST NAME, First name (year). Title. Place of publication: Publisher, (eventual reference to the first edition). Article: LAST NAME, First name (year). «Title». In: LAST NAME, First name (org.). Title. Place of publication: Publisher, (eventual reference to the first edition), pp.

Coordinating Commission:
Jorge Carrega
Sara Vitorino Fernandez
Organising Commission:
Ana Alexandra Seabra de Carvalho
João Carlos Carvalho
Mirian Estela Nogueira Tavares
Maria Botana Vilar
Sandra de Jesus Boto
Isa Mestre
Liliana Dias
Luís Pinheiro
Susana Costa
Isabel Afonso

Scientific Commission:
Annabela Rita (Universidade de Lisboa /CLEPUL)
Denize Correa Araújo (Universidade Federal Tuiuti do Paraná)
Dionísio Vila Maior (Universidade Aberta / CLEPUL)
Francesco Di Chiara (Universita´ Degli Studi e-campus /Itália)
Francisco Miguel Espino Jiménez (Universidade de Córdova)
Lúcia Nagib (Universidade de Reading/UK)
Paulo Cunha (Universidade da Beira Interior)
Pedro Poyato Sanchez (Universidade de Córdova)

Stelio Furlan (Universidade Federal de Santa Catarina)
Susan Doran (Jesus College, University of Oxford)
Tim Bergfelder (Universidade de Southampton)
Vicente Sánchez- Biosca (Universidade de Valência)
Adriana Nogueira (Universidade do Algarve)
Alexandra Mariano (Universidade do Algarve)
Ana Alexandra Seabra de Carvalho (Universidade do Algarve)
Ana Clara Santos (Universidade do Algarve)
Ana Isabel Soares (Universidade do Algarve)
António Paulo Oliveira (Universidade do Algarve)
Bruno Mendes da Silva (Universidade do Algarve)
Carina Infante do Carmo (Universidade do Algarve)
João Carlos Carvalho (Universidade do Algarve)
João Minhoto Marques (Universidade do Algarve)
João Pedro Bernardes (Universidade do Algarve)
Jorge Manuel Neves Carrega (CIAC-Ualg)
José Joaquim Dias Marques (Universidade do Algarve)
José Paulo Pereira (Universidade do Algarve)
Luís Filipe Oliveira (Universidade do Algarve)
Mirian Estela Nogueira Tavares (Universidade do Algarve)
Pedro Alfonso Ferré da Ponte (Universidade do Algarve)
Vítor Reia-Baptista (Universidade do Algarve)
Petar Dimitrov Petrov (CLEPUL-FLUL)
Sandra de Jesus Boto (CIAC-Ualg/CLP-UC)
Sara Vitorino Fernandez (CLEPUL-FLUL)

For more information or questions:
1)              The Conference’s official blog: http://congressohistorialiteraturacinema.blogspot.pt/

2)              Facebook Page: https://www.facebook.com/congressohistorialiteraturacinema/

3)              E-mail: congressoliteraturacinema@gmail.com

Sem comentários:

Enviar um comentário